Vanity Fair has given an exclusive preview of Quentin Tarantino’s Once Upon a Time in Hollywood. Margot looks amazing as Sharon Tate!

VANITY FAIR – Quentin Tarantino was six years old and living in the Los Angeles area when, in the summer of 1969, hell broke loose. You know this story: five people murdered over the course of two days that August, shot and stabbed by a clan of hippie impressionables in anticipation of Helter Skelter, Charles Manson’s idea of holy terror. It’s a Hollywood tale—not least because its most famous victim, the pregnant actress Sharon Tate, was the wife of director Roman Polanski, which put the terror square in the back lot’s backyard

But it’s a Hollywood story for bigger reasons. This was an era, not merely an event; a lifestyle, a people, a widespread obsession—not merely a spot on a timeline or map. The city is a sprawl. So was 1969. And so is the work of Quentin Tarantino, whose last three movies were violent but (mass Nazi execution notwithstanding) playful excursions into history, all of them riffs on the deviant style and rough talkiness of the Westerns Tarantino loves, even the Dirty Dozen-esque World War II picture Inglourious Basterds, in which a motley troop of American badasses, a mock-Tennessean Brad Pitt at its helm, takes its grievances out on Nazi skulls.

Now he’s back with a Western of a different stripe: an old-school L.A. story à la Pulp Fiction and Jackie Brown, the kind of city epic only a nostalgic of Tarantino’s wit and peculiarity could attempt to really do justice. Once Upon a Time . . . in Hollywood, which stars Leonardo DiCaprio as a faded TV Western star and Pitt as his stunt double, is, as its sand-battered title suggests, a throwback. For Los Angeles, sure, but also for Tarantino, who, after traveling as far and wide as the Third Reich and the Shaolin Temple, is bringing it home.

Once Upon a Time . . . in Hollywood will be released July 26.

ENTERTAINMENT WEEKLY – The first time Saoirse Ronan and Margot Robbie saw each other on the set of Mary Queen of Scots, they ended up on the floor, crying in each other’s arms.

It was Ronan’s first day as the titular royal, and Robbie’s last as her cousin and rival, Elizabeth I. The two actresses had been kept apart throughout rehearsals and production until then; Robbie filmed in England, Ronan would be shooting in Scotland, and at their request, they never crossed paths in character prior to their sole scene together. “We really, really didn’t want to see each other,” Ronan says. “I love Margot and wanted to hang out, but we wanted [the meeting] to be this special thing.”

Yet, when the time finally came for them to perform the queens’ confrontation, well… “We were blubbering like idiots,” Ronan tells EW. “We just held each other for ages, we wouldn’t let go. We were like” — she lowers her voice to demonstrate their sobbing — “‘Huohooouuughh.’” She laughs. “I’ve never experienced anything like that.”

Then again, her real-life counterpart never did either. Historians believe the Queen of Scots and the Virgin Queen never met, but theater director-turned-first-time film helmer Josie Rourke was inspired by the 19th-century Friedrich Schiller play Mary Stuart, in which Mary and Elizabeth talk face-to-face on stage. “The whole conception of the film for me was around that meeting,” Rourke says of the historical drama. “We really wanted to have our version of that famous scene, with these two women looking at each other and being confronted with their choices — their personal choices, their political choices. It’s a moment that’s deeply personal.”

And deeply emotional. The waterworks on set may have been caused by the high stakes (and excitement) of capturing the only time the stars share the screen, but Robbie thinks those tears also stemmed from how much they’d delved into the tragedy of their characters’ histories. (For Elizabeth: Her mother was beheaded by her father. For Mary: She lost her husband before she turned 18. And both were often targeted by religious groups, political conspirators, and marriage treaties.) “I had underestimated how difficult their lives were, and how much pain was wrapped up in this power,” Robbie says. “I think it just meant more.”

Brand new Terminal production stills and a new promotional image have been added to the gallery! The movie looks like a crazy mental trip but Margot is so gorgeous like always! Enjoy them 🙂

Yesterday morning (January 23) the nominations for the 90th Annual Academy Awards have been announced. I,Tonya has been nominated in 3 categories: Leading Actress (Margot Robbie), Supporting Actress (Allison Janney) and Film Editing (Tatiana S. Riegel) so congratulations first of all to Margot! But also to all the cast and crew. Bummed they snubbed the movie for Best Picture! But all fingers crossed for one of these category! The ceremony will took place on March 4th.

To celebrate the nominations we’ve added to the gallery some new production stills from the movie! Check them out and enjoy 🙂

ENTERTAINMENT WEEKLY – The 16th-century rivalry between the Queen of Scots and the Virgin Queen was personal — though it didn’t have to be. “They were both, in their own ways, making huge sacrifices to try to operate in this male-dominated world,” explains Josie Rourke, a theater director whose feature debut, Mary, Queen of Scots, examines the rift between the young cousins. “It’s not one against the other. It’s both of them against a particular environment that pitted them against each other.”

Penned by House of Cards creator Beau Willimon and based on a biography by historian John Guy, the film explores the rulers’ lives after Mary Stuart (Saoirse Ronan) returns to Scotland a widowed former queen of France. Her arrival threatens the English throne — then held by Elizabeth I (Margot Robbie) — and ushers in a fraught political period during which the dueling crowns are surrounded by scheming counselors. “Everyone manipulated their relationship,” Robbie says. “It’s complicated, it’s tragic, and it’s bizarre. The only other person in the world who could understand the position they were in was each other.”

On set, Robbie got a taste of that solitude. Playing the smallpox-scarred monarch meant layers of prosthetics and makeup so thick she felt “inhuman,” which eventually led the crew to avoid her gaze. “It was nothing intentional,” she recalls, “but I could see that it was uncomfortable for them, and the less they looked at me, the more isolated I felt.” “Queen for a day” suddenly sounds less appealing.

Mary, Queen of Scots arrives in theaters Nov. 2, 2018. (source)

Margot’s upcoming movie I,Tonya has been nominated at the Gotham Awards! The movie itself for Best Feature, and Margot for Best Actress. Congratulations to the cast and crew for their nominations!

Best Feature
Call Me by Your Name (Sony Pictures Classics)
The Florida Project (A24)
Get Out (Universal Pictures)
Good Time (A24)
I, Tonya (NEON/30WEST)

Best Actress
Melanie Lynskey in I Don’t Feel at Home in This World Anymore (Netflix)
Haley Lu Richardson in Columbus (Superlative Films/Depth of Field)
Margot Robbie in I, Tonya (NEON/30WEST)
Saoirse Ronan in Lady Bird (A24)
Lois Smith in Marjorie Prime (FilmRise)

Also, brand new stills and a first promotional photo have been released and added to our gallery. Be sure to check them and enjoy! 🙂

Brand new production stills from Margot’s new movie Goodbye Christopher Robin have been released and added to the gallery. The movie is going to be released on September 29 in the UK, and at the beginning of October in the USA.

Updated the gallery adding a couple of new production stills from Margot’s next movie Goodbye Christopher Robin, together with a new promotional poster and a behind the scenes photo. The movie premiere is set for September 20 in London, and Margot is scheduled to appear!

Be sure to keep our twitter checked @MargotRobbieCom, photos from the premiere will be added there first!

The Toronto International Film Festival has released its list of films to release this year. Margot’s film I, Tonya is one of the many films set to premiere. The festival will take place September 7th to 17th. A production still from the film has released that features Margot. You can check it out in the gallery!

SPECIAL PRESENTATIONS
I, Tonya, Craig Gillespie, USA, world premiere
Margot Robbie plays Tonya Harding in this biopic of the disgraced Olympic figure skater.