Back on April 28, Margot attended the Tribeca Film Festival for promoting and presenting her new movie Dreamland. While there she was guest at Deadline Studio and she’s also taken some amazing portraits – solo and with the rest of the cast.

The gallery has been updating with several outtakes from Deadline and People portraits and her appearance at the Deadline Studio. Be sure to check them out and enjoy!

For the occasion Margot looked splendid wearing a white Alexa Chung square neck short dress with Jimmy Choo Ava 100 black liquid pointy pumps (thanks to Dress Like Margot for the infos!)

BRITISH VOGUE – Margot Robbie and Chanel have solidified their partnership with the announcement of another exciting collaboration. Having starred as the face of the winter sports “Coco Neige” campaign in 2018, Robbie is now the newest ambassador for Chanel Fragrances.

“It’s a dream to represent such a timeless and iconic brand. The history of the Chanel woman is so exciting and the brand has remained such a powerful feminine standard of style,” Robbie said of her latest role in a statement released by the brand.

Robbie has chosen Chanel for many notable occasions, such as the couture gown she wore to the Academy Awards in 2018, which was custom designed by Karl Lagerfeld and coincided with the announcement that she was becoming an ambassador of the fashion house.

The brand has remained tight-lipped on which fragrances Robbie will be fronting – or if they will be new fragrances altogether. Robbie will be in good company alongside fellow actors and ambassadors Keira Knightley, Lily Rose Depp and Kristen Stewart.

It’s shaping up to be big year for Robbie, with her turn as Sharon Tate in Quentin Tarantino’s hotly-anticipated Once Upon A Time In Hollywood out in July, and production for Suicide Squad 2 beginning later this year. Meanwhile, her LuckyChap Entertainment production company is working on numerous projects, including Emerald Fennell’s directorial debut, Promising Young Women. (source)

Back on Sunday (April 28) Margot attended the 2019 Tribeca Film Festival to promote her new movie Dreamland.

She was wearing a black lace jumpsuit, black cashmere cardigan and black leather belt from Chanel’s Fall 2019 Act 1 Ready-to-Wear collection with Jimmy Choo Anouk pumps shoes and looked great in my opinion! Several photos from the event have now been added to the gallery, enjoy!

Vanity Fair has given an exclusive preview of Quentin Tarantino’s Once Upon a Time in Hollywood. Margot looks amazing as Sharon Tate!

VANITY FAIR – Quentin Tarantino was six years old and living in the Los Angeles area when, in the summer of 1969, hell broke loose. You know this story: five people murdered over the course of two days that August, shot and stabbed by a clan of hippie impressionables in anticipation of Helter Skelter, Charles Manson’s idea of holy terror. It’s a Hollywood tale—not least because its most famous victim, the pregnant actress Sharon Tate, was the wife of director Roman Polanski, which put the terror square in the back lot’s backyard

But it’s a Hollywood story for bigger reasons. This was an era, not merely an event; a lifestyle, a people, a widespread obsession—not merely a spot on a timeline or map. The city is a sprawl. So was 1969. And so is the work of Quentin Tarantino, whose last three movies were violent but (mass Nazi execution notwithstanding) playful excursions into history, all of them riffs on the deviant style and rough talkiness of the Westerns Tarantino loves, even the Dirty Dozen-esque World War II picture Inglourious Basterds, in which a motley troop of American badasses, a mock-Tennessean Brad Pitt at its helm, takes its grievances out on Nazi skulls.

Now he’s back with a Western of a different stripe: an old-school L.A. story à la Pulp Fiction and Jackie Brown, the kind of city epic only a nostalgic of Tarantino’s wit and peculiarity could attempt to really do justice. Once Upon a Time . . . in Hollywood, which stars Leonardo DiCaprio as a faded TV Western star and Pitt as his stunt double, is, as its sand-battered title suggests, a throwback. For Los Angeles, sure, but also for Tarantino, who, after traveling as far and wide as the Third Reich and the Shaolin Temple, is bringing it home.

Once Upon a Time . . . in Hollywood will be released July 26.

VARIETY – Warner Bros. and Mattel have partnered to bring Barbie to the big screen. Margot Robbie is set to portray the live-action version of the iconic doll.

“This project is a great start to our partnership with Ynon and Mattel Films,” said Toby Emmerich, chairman of Warner Bros. Pictures Group. “And Margot is the ideal producer and actress to bring Barbie to life on screen in a fresh and relevant way for today’s audiences.”

Robbie will also co-produce the film under her LuckyChap Entertainment banner, alongside Tom Ackerley and Josey McNamara from LuckyChap Entertainment.

“Playing with Barbie promotes confidence, curiosity and communication throughout a child’s journey to self-discovery. Over the brand’s almost 60 years, Barbie has empowered kids to imagine themselves in aspirational roles from a princess to president,” Robbie said. “I’m so honored to take on this role and produce a film that I believe will have a tremendously positive impact on children and audiences worldwide. I can’t imagine better partners than Warner Bros and Mattel to bring this film to the big screen.”

The Barbie adaptation marks the first announced deal to come out of Mattel’s newly-established Mattel Films, led by producer Robbie Brenner, as well as the first collaboration between Mattel Films and Warner Bros. Pictures.

“Barbie is one of the most iconic franchises in the world and we are excited to partner with Warner Bros. Pictures and Margot Robbie to bring her to life on the big screen,” said Ynon Kreiz, chairman and CEO of Mattel. “We look forward to building on this collaboration with Warner Bros. Pictures as we tell the stories of our beloved brands. Mattel Films is on a path to demonstrate the enormous potential of our brand portfolio, as we continue to execute on our strategy of transforming Mattel into an IP-driven, high performing toy company.” (source)

Back on Sunday, January 06 Margot and Saoirse Ronan were guest at The Andrew Marr Show in London for promoting Mary Queen of Scots. Few stills from the episode have now been added to the gallery, and below you can also watch a bit of their interview. Enjoy!

BUZZFEED – When it was announced that Saoirse Ronan and Margot Robbie would be playing royal rivals in Mary Queen of Scots, there was no doubt it would be worth a watch. Both were Oscar-nominated last year for their respective roles in Lady Bird and I, Tonya, and their resumés were already impressive: Saoirse started acting aged 9, going on to appear in movies like Atonement, Hanna, and The Lovely Bones; Margot is immediately recognisable for playing Harley Quinn, who’ll be getting her own Suicide Squad spinoff next year.

When we at BuzzFeed were given the chance to speak with Saoirse and Margot to promote Mary Queen of Scots in London recently, we couldn’t pass up the opportunity. They told us all about what it was like to finally work together and what kind of roles they’d love to take on next…

Check these beautiful portraits of Margot taken while doing the interview in our gallery! Enjoy 🙂

W MAGAZINE – Margot Robbie and Michael B. Jordan seem to effortlessly check all the movie star boxes: Megawatt charm? Check (those smiles!). Actor clout? No problem (having Martin Scorsese and Ryan Coogler launch their respective careers can’t hurt). Lucrative blockbuster movie franchises? Yep, that too (Robbie in Suicide Squad and Jordan in Creed, with a memorable detour into Wakanda). So, as it turns out, they have a lot to talk about—and not just about fame and their good fortune. Here, as part of our annual Best Performances portfolio, Robbie, who starred in the recent palace-intrigue period drama Mary Queen of Scots, and Jordan, who returned in Creed 2 and dominated the screen in Black Panther this year, sit down with W’s Editor at Large Lynn Hirschberg to share not only how it is they make morally questionable villains like Harley Quinn and Killmonger into magnetic antiheroes, but also their totally embarrassing early email addresses, their most memorable red carpet fashion faux pas, and their frankly amazing first kiss stories.

So Michael, what’s the first album you ever bought?

Michael B. Jordan: First album? Ah, man, that’s a good one.
Margot Robbie: Oh, that is a good one.
Jordan: I want to say, on cassette tape… um, Usher’s My Way.
Robbie: That’s a good answer.
Jordan: You’re taking me back. I want to say I rode my bike to the music store that was, like, down the street.

What was the first album you ever bought, Margot?

Robbie: I think the first album I bought was, um, AFI’s Sing the Sorrow. I was in a bit of a heavy metal phase. But I think the first single I bought was Blink 182, “All the Small Things.”
Jordan: Okay. So the heavy metal. Are you still in that phase or did you pass that?
Robbie: Occasionally.
Jordan: Occasionally?
Robbie: Occasionally.

Have you ever gone through a heavy metal phase, Michael?

Jordan: I have not.
Robbie: [Laughs.]
Jordan: But electric guitar solos are my thing. Like, I love, the Ernie Isleys of the world, the “Who’s That Lady” solo is pretty incredible. [Michael Jackson’s] “Dirty Diana” is pretty good.

Do you play air guitar?

Jordan: Air guitar? All day. [Laughs.]
Robbie: I can air guitar. That’s about the extent of my musical prowess, really.

Michael, did you box before Creed?

Jordan: I never officially boxed but karate, martial arts, and stuff like that. And then I kinda segued into boxing.

And you, Margot, have you ever boxed?

Robbie: I’ve done a bit of boxing, yeah—mainly to prepare for fight training, like stunt work. And I really, really like it. I have stupidly long arms, like, they’re too long for my body. So actually it’s kind of good when you’re boxing.
Jordan: The reach is incredible.
Robbie: An extra long reach. And it looks good on camera. Having long limbs on camera makes your punches—
Jordan: Your punch is a little wider, yeah, yeah, yeah. She knows what she’s talking about.

On Monday night (December 10) Margot attended the London premiere of her new movie Mary Queen of Scots, together with Saoirse Ronan, the movie director Josie Rourke and the rest of cast & crew.

She looked very regal and ever so beautiful wearing a Rodarte ruffle hem flocked dot chiffon gown with a sequinned rose at the waist. One of my favorite looks of her so far!

More than 500 photos from the premiere have now been added to the gallery, but be sure to keep our site twitter checked @MargotRobbieCom in case of new additions! Enjoy 🙂

THE NEW YORK TIMES – When Josie Rourke made her pitch to direct “Mary Queen of Scots,” about the royal rivalry between the Scottish ruler Mary Stuart and the English Queen Elizabeth I, she suggested thinking of the movie as a renaissance version of “Heat.” Like that thriller, which cast Al Pacino and Robert De Niro on opposite sides of the law, “what the film needed was a really great scene for two women to play opposite each other,” Rourke said.

Much of “Mary Queen of Scots” (due Friday) builds to that moment when Mary and Elizabeth finally meet — a cinematic flourish, as historians believe the two communicated only by letter. The film’s scene is the sort of centerpiece that only works if you know the women playing it are formidably matched equals offscreen, too. In casting Margot Robbie as Elizabeth opposite Saoirse Ronan’s Mary, Rourke found a pair so well-matched that they even competed against each other for last season’s best actress Oscar.

Ronan was nominated then for “Lady Bird,” a coming-of-age tale that signaled the 24-year-old actress’s interest in playing complicated young women, while Robbie was in the mix for her performance in “I, Tonya” as the disgraced figure skater Tonya Harding, proving the 28-year-old actress could play roles quite unlike her breakout bombshell in “The Wolf of Wall Street.” The two women sit atop Hollywood’s young A-list, but Ronan and Robbie both bristle at traditional notions of how an actress — or, for that matter, a queen — is expected to wield that power.