Welcome to Marvelous Margot, your newest source on the Australian actress Margot Robbie. You probably know Margot for her launching role in Martin Scorsese's Wolf of Wall Street, and most recently seen in The Legend of Tarzan (as Jane Porter) and Suicide Squad (Harley Quinn). Her upcoming projects include I, Tonya - where she plays the ice skater Tonya Harding, and Gotham City Sirens - movie centered on the female criminals of the DC Universe.

The site aim is to update you with all the latest news, photos and media concerning Margot's career. Take a look around and enjoy your stay! Thank you for visiting the site and be sure to come back soon!
Archive for the ‘Magazine Scans’ Category
Nicole   03.01.2018   0 Comments

Margot is featured in the March issue of the German magazine ZeitIssue 10. Digital scans from the issue together with outtakes from the photoshoot have now been added to the gallery, be sure to check them out!

Photoshoots & Portraits > 2018 > Session 10 | Zeit Magazine [+4]
Magazine Scans > From 2018 > March: Zeit Magazine #10 [+7]
Nicole   02.23.2018   0 Comments

THE ENVELOPE“I, Tonya,” the Craig Gillespie-directed biopic about Tonya Harding, the figure skater banned from competition for life for her connection to a 1994 attack on fellow skater Nancy Kerrigan, has brought its stars — Margot Robbie, who plays an unsinkable Harding, and Allison Janney, as her sharp-tongued mother, LaVona — Oscar nominations, critical acclaim and, not surprisingly, a newfound love for the Winter Olympics. “We’re watching men’s half-pipe,” reports Robbie, jet-lagged and talking via speakerphone while sitting alongside Janney in a London hotel room. “We’re just mesmerized.”

The pair were in town to attend the BAFTAs, where they were both nominees. Before heading off to a party, they took time out to talk about the film’s more nuanced examination of Harding’s life (domestic violence, the skating world’s contempt for her working-class roots), Janney’s annoying parakeet costar and the reaction Robbie, an “I, Tonya” producer, had during her initial reading of Steven Rogers’ script.

“It’s so easy to dismiss these characters and their feelings. But by the end of it, I was devastated, angry and frustrated for them. I’d laugh out loud at something, then immediately feel disgusted with myself that I found it funny,” says Robbie. “To be able to let those feelings creep up on you, instead of being told to feel them? That’s a real art form.”

(Read the rest of the Q&A at the source)

Magazine Scans > From 2018 > February 22: The Envelope [+1]
Photoshoots & Portraits > 2018 > Session 09 | The Envelope [+2]
Nicole   02.15.2018   0 Comments

HARPER’S BAZAAR AUSTRALIA – You couldn’t imagine two more opposite characters than Margot Robbie and Tonya Harding.

However the BAZAAR Australia March cover star was so convincing as the bad girl of ice skating that she hasn’t just floored critics and fans, she’s now also up for an Oscar.

No mean feat for an actress and producer who took on the project that had a small budget and an even smaller production schedule.

But I, Tonya is the little passion project that could for Robbie.

“As a producer I’m looking for amazing female roles,” she tells BAZAAR. “People in Hollywood are now making a conscious effort to provide female characters and female-driver content. But the next step is having female voices telling those stories, through female directors and writers.”

For her part as the leading lady and to morph into the first American woman to land a triple axel jump in competition, Robbie spent hours on the ice with choreographer Sarah Kawahara, who has, coincidentally, previously worked with Harding’s nemesis, Nancy Kerrigan. Despite also spending hours in the gym, Robbie was unable to push her petite frame to resemble Harding’s athletic form.

She also ages 29 years over the course of the film.

“We didn’t have a ton of money or time, so going down the prosthesis route daily to make my face shape and hairline resemble hers wasn’t an option,” she says. “So we altered our mindsets. We needed to embody her spirit.”

For Robbie that involved even more hours of training and studying with a movement coach and learning the Alexander Technique and the Animal Exercise, which focused on posture.

“Rolled shoulders, jutted jaw, heavy feet; Tonya was someone always on the defensive, but also searching for validation and affection, and she cared what people thought. Even though she pretended she didn’t,” Robbie says. (source)

Some outtakes from the beautiful Harper’s Bazaar Australia photoshoot have now been added to the gallery! More to come together with the scans as soon as we’ll get the issue! Enjoy for now 🙂

Magazine Scans > From 2018 > March: Harper’s Bazaar Australia [+1]
Photoshoots & Portraits > 2018 > Session 05 | Harper’s Bazaar Australia [+8]
Emily   01.09.2018   0 Comments

Margot is featured on the cover of the February issue of Elle. Outtakes have now been added to the gallery. Stay tunes for HQ scans!

ELLE – Margot Robbie is, yes, a knockout. But like the women she’s portrayed in her decade-long career—a trophy wife on a mission in The Wolf of Wall Street; a balls-to-the-wall war reporter in Whiskey Tango Foxtrot; the feisty, feminist Jane in The Legend of Tarzan; and, of course, Suicide Squad’s lovable lunatic criminal, Harley Quinn—the Aussie stunner is so much more than an ingenue. Below, find a preview of Robbie’s February cover interview with her I, Tonya co-star, Allison Janney, where she discusses her future as a director, the highlight of her career and what it was like playing Tonya Harding:

On fear of playing a real-life character: “…playing Tonya [Harding], who’s very much alive and is widely documented, can be more intimidating.”

On directing: “I still love acting. But I’ve spent the last 10 years on a film set, and I realized that if I am pouring my heart and soul into a film, I want to be one of those voices in the conversation making decisions.”

On the first highlight of her career: “When I got to New York for the first time, I took my first paycheck, walked straight into Tiffany’s on Fifth Avenue, and bought an airplane charm that goes on my bracelet. It was the best feeling ever. I got my little blue box, and I got it for myself.”

On which skill she wants to master: “I recently bought fire-twirling poles, because I really want to get good at it. When I was backpacking in the Philippines, there were heaps of fire twirlers on the beach, and it was so cool. I was like, Wow, I really want to do that!”

Photoshoots & Portraits > 2018 > Session 04 | ELLE [+4]
Nicole   01.05.2018   0 Comments

THE HOLLYWOOD REPORTER – Figure skating’s most notorious character shares memories of the scandal that ended her career with the star who plays her — and reveals she’s back in training.

Margot Robbie waited until filming was just about to begin before she and director Craig Gillespie took a trip to Portland to have lunch with the woman she was about to play. Their second meeting came nearly a year later, when Tonya Harding joined Robbie on the red carpet for I, Tonya‘s Hollywood premiere. The following day, on Dec. 6, Robbie sat down with Harding, 47, for a wide-ranging conversation about the disgraced Olympian’s life now with her current husband, Joe, a heating and air conditioning specialist, and their 6-year-old son, Gordon, as well as the highs and lows of her days on the ice.

While Robbie switched between roles as interviewer and interviewee, Harding spoke candidly about her fraught relationships with both her ex Jeff Gillooly, who spent six months in prison following the 1994 assault on Harding’s then-rival Nancy Kerrigan, and her mother, with whom she’s been estranged since the early 2000s. At one point in the hourlong discussion, during which the former competitor revealed that she was back in training (she’s set to skate in an exhibition at Rockefeller Center in late January), a teary Harding thanked Robbie for not only telling her story but also providing her with closure. (Read the rest of the interview at the source)

THE HOLLYWOOD REPORTER An ingenue turns indie producer with the figure skating biopic ‘I, Tonya’ as she opens up about the downside of starring in ‘Suicide Squad’ (“Now you have to be able to afford security”) and maps out a plan for career longevity: “I don’t want to burn hard and fast and then disappear.”

Before Margot Robbie set out for Hollywood, an agent in her native Australia advised her to prepare to answer a question she’d inevitably be asked when she arrived.

“What do you want out of your career?”

Robbie, then 20 and starring in a local soap opera, took the advice seriously. She began scribbling pages and pages of notes before ultimately whittling her answer down to just three words: “Quality, versatility and longevity.” Nail the first two, she thought, and the third will follow.

Not a half decade later, Robbie had exploded into Hollywood with her breakthrough performance as the fiery wife of Leonardo DiCaprio’s Jordan Belfort in the 2013 box-office smash The Wolf of Wall Street. She’d taken what could have been a forgettable role — described in Terence Winter’s script as the “hottest blonde ever” — and made something memorable out of it. She was promptly deluged with offers to play the “hot wife” or “hot girlfriend” of other A-list actors. Flattered as Robbie was by the sudden attention, such inessential characters didn’t fit into her career plan, and she turned nearly all of them down. “You could read a script and almost pull them out and nothing else would be affected,” she says now, between sips of tea on her back patio in Los Angeles. “Like if you pulled out that card, the card castle wouldn’t come tumbling down, and that’s not that exciting to me.” (Read the rest of the interview at the source)

Check the beautiful cover and photoshoot Margot (and Tonya) did for this Golden Globes 2018 issue of The Hollywood Reporter!

Magazine Scans > From 2018 > January 04: The Hollywood Reporter [+1]
Photoshoots & Portraits > 2018 > Session 03 | The Hollywood Reporter [+4]
Nicole   01.04.2018   0 Comments

BRITISH VOGUE – Photographed by Juergen Teller and styled by Edward Enninful, the portrait of the duo sets the tone for the 20-page Hollywood portfolio within the editor-in-chief’s third issue of #NewVogue. Entitled “Best Performances”, the shoot celebrates the stars whose Oscar-worthy roles embody cinema’s new mood and Hollywood’s reevaluation of itself.

“When I first decided that Vogue should put together a star-filled portfolio featuring the biggest names in current cinema to mark the exceptional 2017/18 awards season,” Enninful said, “who knew Hollywood would soon be top of the global news agenda? It was clear to me that the mood needed to change. That it was time for honesty. Enter photographer Juergen Teller, my long-time collaborator and the world’s most gifted documenter of celebrity at its most intimate and off-duty. Over four days in Los Angeles, it was great to spend time with him and some of today’s amazing talents as they look to reshape how Hollywood does business in a post-Weinstein world, including cover stars Margot Robbie and Nicole Kidman – two of the most straight-talking professionals I’ve ever had the pleasure of working with.”

Of her ascendant career, Robbie told interviewer Lynn Hirschberg: “My family has no connection to the entertainment industry whatsoever, so when I started acting, everyone was like, ‘That’s fun, but when are you going to actually get a real job?’ And that went on for years. They’re impressed for five seconds, and then they’re, ‘So anyway, the dog threw up today.’”

[…] (source)

W MAGAZINE“When I was 6, my favorite film was Robin Hood: Men in Tights. It’s got a lot of adult jokes, and it was really inappropriate for a child to see. In school, they asked us, ‘If you were to make a potion, what would you put in it?’ Even then, I could recall lines of movies, and I said, ‘The testicles of a newt!’ I got called up to the front of the class and was asked why I put testicles in my potion. I had no idea what testicles were—I just loved the film.” (source)

Magazine Scans > From 2018 > February: British Vogue [+1]
Magazine Scans > From 2018 > W Magazine Best Performances Issue [+1]
Photoshoots & Portraits > 2018 > Session 01 | British Vogue [+1]
Photoshoots & Portraits > 2018 > Session 02 | W Magazine [+1]
Nicole   12.05.2017   0 Comments

Updated the gallery adding digital scans from Margot’s issue of Vogue Australia, together with some amazing outtakes. This is one of my favorite photoshoot of hers!

Be sure to keep the site and twitter @MargotRobbieCom checked for the Jimmy Kimmel Live! update and later today, the first look at the I,Tonya Los Angeles premiere!

Magazine Scans > From 2017 > December: Vogue Australia [+18]
Photoshoots & Portraits > 2017 > Session 18 | Vogue Australia [+15]
Nicole   12.01.2017   0 Comments

DEADLINE – It has been a dizzying ascent for Margot Robbie, from the Australian soap opera Neighbours to Hollywood, with roles in the TV series Pan Am and in Martin Scorsese’s The Wolf of Wall Street. But she truly announces herself as an actress with chops, and a chance to medal this awards season, with I, Tonya. In the Craig Gillespie-directed film, Robbie soars as the scandal-scarred US Olympic figure skater Tonya Harding. She turns an historically vilified white trash tabloid figure into a defiant underdog antihero, who threw up a finger to skating judges when they ignored her superior physical skills and resisted Harding as the image of their sport.

Pushed as a child by a hard-edged mother as stingy with praise as she was generous with open-hand slaps (played hilariously by Allison Janney), Harding’s story previously belonged to the gossip hounds in the tabloids. Despite winning the 1991 US Championships when she became the first woman to successfully execute the gravity-defying triple axel, Harding’s place in sports history is one of ignominy because of her suspected complicity in the clumsy attempt by her abusive husband Jeff Gillooly (played by Sebastian Stan) to hobble her elegant rival Nancy Kerrigan before the 1994 Winter Olympics. Harding received a lifetime ban by the US Figure Skating Association, after pleading guilty to a charge of hindering the prosecution in the attack on Kerrigan.

Despite the string of roles that have followed Wolf—such as her turn as Harley Quinn, the bright spot of Suicide Squad, which she will reprise in sequels—I, Tonya is the first film to rest solely on Robbie’s shoulders. She plunges into the portrayal of an unglamorous, dirt-poor and defiant woman, who sewed her own costumes and applied her own makeup (harshly) for the sport she believed in. And Robbie captures the frightful intensity—and the ultimate tragedy—of the character she plays. It’s this kind of expert understanding of character that may have prompted Quentin Tarantino to pursue Robbie for the role of Sharon Tate in his next film, and it puts her squarely into the Oscar conversation this year.

Gold may have eluded Tonya Harding on the ice, but she may have one more shot on Oscar night.

(Read the rest of the interview at the source!)

In the gallery you can find an outtake from the Deadline Contenders portraits session, and digital scans from Deadline Oscar Preview: Actresses Issue! Enjoy 🙂

Photoshoots & Portraits > 2017 > Session 16 | The Contenders Portraits [+1]
Magazine Scans > From 2017 > November 29: Deadline Magazine Oscar Preview: Actresses Issue [+6]
Emily   11.18.2017   0 Comments

Margot graces the December issue of Vogue Australia. Check out the beautiful cover and some outtakes in the gallery. Scans will be added soon!

Magazine Scans > From 2017 > December: Vogue Australia [+1]
Photoshoots & Portraits > 2017 > Session 18 | Vogue Australia [+3]

VOGUE AUSTRALIA – Margot Robbie opens the door to an enormous hacienda-style mansion in Albuquerque, New Mexico, a door lined with Halloween pumpkins of varying sizes and hilarity. “Hi, I’m Margot!” she offers with a huge grin. Suddenly a scruffy little black rescue dog the size of a feather duster leaps out, spinning in circles, and Robbie’s smile turns to a frown of panic: “Oh, be careful, he might pee on you!” The pooch, named Boo Radley, jumps up and begins standing on two legs with such panache that you forget he is actually a four-legged animal.

It is a comical moment akin to a scene out of a Woody Allen comedy that morphs into Entourage: the bombshell movie star – dressed off-duty in dark denim overalls, a striped red-and-blue T-shirt and white hotel slippers – and her excitable canine named after one of literature’s most famous characters, holding court in the middle of the desert. The rest of the home’s residents, who come and go over the next two hours, make up the supporting cast: there is Josey McNamara, the friend and business partner who appears from another room halfway through the interview, Sophia Kerr, the childhood bestie who doubles as an assistant and pops in from behind a stairwell, and Tom Ackerley, the handsome, laconic husband who wanders into the kitchen from the gym. Only this is Robbie’s real life, these are her real friends, and this is more than just a movie.

Robbie, 27, encompasses everything you want from a leading lady: she is funny and feisty, a femme fatale with looks to die for and a business-savvy, brilliant attitude to boot. She talks feminism and being a female role model as easily as discussing her favourite fashions while simultaneously crunching movie budget numbers like a seasoned accountant. Her favourite term “100 per cent” slips into conversation as easily as her other typical twentysomething saying, “like”; and her face lights up at the sight of her husband as much as it does when she discusses her absolute love for making movies. Family and friends are obviously her primary passions, with films coming in a very close second.

It has been 10 years since Robbie burst onto our TV screens in Neighbours before making the leap to Hollywood with a life-changing, scene-stealing turn in The Wolf of Wall Street in 2013. Since then her movie repertoire has run the gamut from indie films (Suite Française, Z For Zachariah) to comedies (Focus, Whiskey Tango Foxtrot) to blockbusters (The Legend of Tarzan, Suicide Squad). In the coming months, she will appear in the period dramas Mary, Queen of Scots (in which she plays Queen Elizabeth I with a receding hairline and scarred skin) and Goodbye, Christopher Robin, in which she portrays Winnie-the-Pooh author AA Milne’s socialite wife Daphne with perfectly British aplomb. And while her star continues to rise, Robbie, not one to just sit back and enjoy the trimmings of Hollywood success, is now venturing further and stepping up into her newest role: that of producer and self-described president of her own production company. She is taking control of her own destiny from behind the scenes, where she wants to be a female role model by example, in charge of producing female-driven content.

I already work with a ton of female writers who are brilliant, and I want to work with female directors,” she says. “I really want to work with actresses my own age. I’m trying so hard to get projects up and running with an ensemble of young female characters, because that’s my life, my group of girls, we’re a gang and we roll together and I’m like: ‘Why is that not reflected in film?’” She adds that a matured sense of confidence from several years honing the machinations of Hollywood has propelled her to take on producing. “I feel like I’ve been in the business long enough now watching other people make those decisions. I’ve had enough experiences to have more of an opinion like: ‘Actually, I wouldn’t have done it like that, or I think they should have done something different right now.’ So now I get to be one of those people who say: “Hey, maybe we should do it a little differently.” It’s nice to have that opportunity. It’s enormously satisfying to build something and to be part of something and to take control of my career.”

Read the rest of the story/interview at the source

Nicole   10.05.2017   0 Comments

Margot is featured in the November issue of W Magazine, with an amazing new editorial and a brand new interview. Check the photos in our gallery and read part of the interview below (and find the rest at the source!)

W MAGAZINE – When Margot Robbie read the script for I, Tonya, a biopic of the notorious ice skater Tonya Harding, she assumed the story was complete fiction. “I thought the writer was so quirky and crazy to come up with this stuff,” she told me, still looking a bit astonished by the strange twists in Harding’s life. (In 1994, the skater was famously implicated in a plot to take down her nemesis Nancy Kerrigan after a man attacked Kerrigan with a baton.) We were on location for the W shoot in Snug Harbor, a bucolic Staten Island enclave founded in the early 1800s as a haven for old sailors. There was something appealingly run-down and shabby about the setting, but Robbie, who is 27, is a glow-y girl: With blond hair and an engaged manner, she can’t help but shine.

Which is why it is so remarkable that Robbie was able to completely disappear into Harding’s decidedly darker persona. A self-described redneck from Oregon, Harding was the antithesis of the traditional superstar figure skater. She was rough and flashy, and her skating was powerful and athletic rather than graceful and balletic. Harding’s ex-husband, Jeff Gillooly, and her bodyguard, Shawn Eckardt, were ultimately charged with criminal conspiracy to commit assault. While Kerrigan recovered from her injuries in time to compete in the ’94 Olympics, the incident propelled Harding to tabloid infamy and effectively ended her skating career.

“I was 4 years old and living in Australia at the time,” Robbie said. “The news did reach Australia, but I didn’t know about it.”
Riveted by the script, Robbie immediately agreed to star in and produce the film—despite that fact that she had never figure skated in her life. “I did four months of training, five days a week, four hours a day,” she recalled. “On Christmas Eve, I was at the rink. And now I actually really miss it. I kept my ice skates—but I said goodbye to a whole world of pain that I didn’t realize came along with figure skating.”

Not only did Robbie have to be believable on the ice, she also had to take on the even more difficult challenge of assuming Harding’s accent and physique. “Once I put on the wig, which altered my hairline, and bleached my eyebrows, I started to see Tonya,” Robbie said. “The hardest part was losing my natural laugh. It needed to be Tonya’s laugh. I couldn’t do a triple axel like Tonya, but I was able to master her laugh.”

Read the rest of the story/interview at the source

Magazine Scans > From 2017 > November: W Magazine [+1]
Photoshoots & Portraits > 2017 > Session 13 | W Magazine [+8]
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